Sunday, 28 April 2024

Hexagon Comics: Guardian of Senegal

 



 Story: Mouhamadou Moustapha Sy - Art: Narotam

Cover: Narotam

Editor: Jean-Marc Lofficier

7x10 squarebound comic, 

52 pages b&w

ISBN-13: 978-1-64932-269-2. 
$12.95
https://www.hexagoncomics.com/shop-the-guardian-of-senegal.html



Kanta, the Guardian of Senegal, made his first appearance in The Partisans #2, a story that took place in 1942, pitting him against Nazis and emissaries of the evil god Set, and aided by Baroud, the amazon Antales and a young Tanka. However, his origins were not detailed until now.

it took two years to put together the authentic Senegalese writer-artist team who produced this issue. Writer M. M. is the author of Sapiens Vampiris, a novel published in 2021 to critical acclaim. Artist Narotam works as a political cartoonist for the Senegalese newspaper, Le Politicien.

The story spans the period between 1914 and 1938 and features the Senegalese Tirailleurs (“Riflemen”), a corps of infantry created in 1857 who fought courageously during World War I.

The artwork may not be polished Marvel or DC artwork but then even those two companies fail to maintain that standard. This is an art style I have seen before and mainly in Independent comics where creators are given a chance to show off what they can do. As someone who basically draws satirical cartoons for a newspaper Narotam has not done a bad job. The grey tones work and it will be interesting to se how he develops his style.  The story written by Sy works well and it was enjoyable.

To give more background here is the press piece I did back in January:

THE GUARDIAN OF SENEGAL

 

Story: Mouhamadou Moustapha Sy



Art & Cover: Narotam



Adapted into English by Jean-Marc & Randy Lofficier




The Guardian of Senegal, made his first appearance in The Partisans #2, a story that took place in 1942. Jean-Marc Lofficier, EIC of Hexagon Comics, had wanted to include an authentic African hero rising from the ashes of the French Western African colonial empire.

However, Lofficier felt that the degree of authenticity that he sought would be better served if a Senegalese artistic team could craft his origins.

“I should state that I do not agree, in principle, with the notion that only writers of a certain ethnicity or origin can or should write characters of that same ethnicity, etc.” said Lofficier. “I think talent, research and an open mind can be adequate substitutes. Nevertheless, I can see the wisdom of entrusting Black American heroes such as Luke Cage or Black Lightning to talented Black-American creators, and the results have certainly more than justified that choice.

“However, I confess that I fail to see how the same applies to Black Panther, a character from a fictional Eastern African country. To me, the versions of that character crafted by Don McGregor, Peter Gillis and Jonathan Maberry are just as noteworthy as those produced by Christopher Priest, Ta-Nehisi Coates and Nnedi Okorafor, but still a product of American culture. In my opinion, it would have been more interesting to see what might have happened if Marvel had looked for creators from Kenya, Zimbabwe, Zambia, or South Africa. It took me two years to put together a Senegalese writer-artist team to produce this issue.”

Writer M M Sy is a young Senegalese engineer who first wrote fanfiction before being published professionally. His first novel, Sapiens Vampiris, was published in France in 2021 to critical acclaim. Artist Narotam works as a cartoonist for a Senegalese newspaper.



The story spans a period ranging from 1914 to 1938 and draws on the history of the Senegalese Riflemen who fought during World War I, 30,000 of whom were killed in battle. The keystone is a tragic friendly fire incident that happened at Chateau-Thierry on June 1st ,1918,” explains Lofficier. “American machine gunners mistakenly fired on what they believed to be a night attack by German troops. Instead, they were soldiers of the French 10th Colonial division from Senegal, who had been trying to get back across the river.”

There, now you know as much as I do but...you need to buy the book to catch up with me. 

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