Monday, 4 November 2024

Cinebook Ltd - Black Mary 1 - The Departed / Black Mary 2 - Passage to the Hereafter

 


Authors: Rodolphe; illustrated by Florence Magnin
Age: 15 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages

£8.99 INCL vat

ISBN: 9781800441378
Publication: July 2024

The peace of Mordwick, a small coastal village, is shattered by the news that mysterious individuals have come ashore to dig up the recently departed. They looked like pirates, and rumours swell that the infamous captain Black Mary, a legendary, freedom-loving marauder desperately wanted by the Royal Navy, is involved. Could she be the cause of a wave of spectral apparitions sweeping through the kingdom – including that of the ghost of the recently departed king himself?

Authors: Rodolphe; illustrated by Florence Magnin
Age: 15 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages

£8.99 INCL vat

ISBN: 9781800441385
Publication: July 2024

Rescued at sea by Black Mary, Lord James, the libertine aristocrat who longed for adventure, is utterly enthralled by the fierce pirate captain – enough so that when she boards a royal warship, he chooses to fight at her side. With her ship badly damaged, though, Mary must return to her hidden base, an island not on any map. For good reason: the inhabitants of the island are … the men and women who died at sea, and remain there until it is time to move on to the afterlife … 

I have to say that I wish I could remember all I wrote in the first draft!

We have here what appears to be just another pirate story but throughout -odd though it may sound- there is a strange atmosphere to the story. I think that "atmosphere" would be lost if this was a "wait for part two" type  series.  What Cinebook has done is publish both volumes in one go and that helps.

The story is interesting and the ending had the feeling of one of those 1940s Hollywood movies -and I can't tell you why or it spoils  the end. It is a good read and I did read both in one go.

I have no idea what it is about the art but it really works and catches the eye and Magnin does an excellent job. Not sure what technique is used but I gave up questioning why I liked a certain style of art long ag because trying to explain why is difficult.

If you like your pirate action with a ghostly twist then you'll enjoy this. If you like ghost comics you will enjoy this. Highl;y recommended.

Cinebook Ltd: Rin Tin Can 2 - The Godfather

 


Authors: X. Fauche & J. Léturgie; illustrated by Morris
Age: 8 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages

£8.99 INCL vat

ISBN: 9781800441330
Publication: May 2024

After inadvertently thwarting a convict’s escape attempt, Rin Tin Can flees the penitentiary and ends up with two sheep herders who are being targeted by wool thieves. The robbers, Giuseppe and Aldo, are actually looking for a specific sheep skin tattooed with a treasure map, in order to post their father’s bail. 

Unwittingly – as usual – Rin Tin Can becomes first the accomplice of the two not-too-bright brothers, then their ‘godfather’ …  

The review of the first album is here https://hoopercomicart.blogspot.com/2023/09/cinebook-ltd-rin-tin-can-1-mascot.html

How does a dog become a "god father"? Look, if you are looking for a straight forward and rational story with no slap-stick comedy or visual gags then I am guessing you nevber read the first album?

We have a dog that thinks dollar bills are pastry and consumes quite a few... and as those dollars are the troopers wages you can imagine they are not that happy.  Anything Rin Tin Can does correctly is purely accidental!  

The visual gags are there and the story , which might seem chaotic at times, delivers a good read and ending. The art is nice and the colour work does add more to it but some of the characters can be called "comical grotesques" -it is a style used for a very long time in European comics and it works.

None of this answers the question of how Rin Tin Can becomes a "god father" or what that exactly entails. Do you want to know?   Buy the book!  It's fun.

Monday, 28 October 2024

Cinebook Ltd: Spirou & Fantasio 21 - The Prisoner of the Buddha

 


Author: Greg, illustrated by Franquin and Jidéhem
Age: 8 years and up
Size: 21.7 x 28.7 cm
Number of pages: 64 colour pages

£11.99 incl VAT

ISBN: 9781800441354

Publication: May 2024

Spirou and Fantasio, paying the Count of Champignac a visit, discover that he is hiding an imposing visitor: a towering Russian genius who has created an anti-gravity ray. Unfortunately, the KGB is already hunting him, because he’s decided he wants to keep his invention secret. And to make things worse, his former associate, who knows almost as much as he about the ray, has been captured by Chinese authorities. Spirou decides it is vital to free the prisoner … 

 ISBN: 9781800441354

Regarding frequency of this title 18 came out in August 2021 and 19 in January 2023 and 20 was in September 2023 and I mention this for a specific reason; with this series (apart from where they refer to a past event or villain) the delay does not matter as each comic album has its own self contained story. 

We have our more-than-hapless adventurers (and Marsupilami) getting into all kinds of situations and all wonderfully drawn.  The visual gags abound and the colour work is as nice as you could wish for.  What I am still amazed at is the amount of detail in each panel with 7-8 panels on some pages the backgrounds can be as busy as the foreground.  Last page was a quirky bit of fun.

What is still a wonder is that we have had 20 Spirou and Fantasio adventures in comic albums -Running Scared, Virus, Wrong Head, Who Will Stop Cyanide? The Clockmaker and the Comet, Shadow of the Z, Z Rises Again, The Visitor from the Mesozoic to name a few and all just waiting to be purchased and read and chuckled over!  Twenty years ago people in the UK hardly knew what a comic album was and now Cinebook has deluged us with them!

To think my generation looks back on Buster, Valiant, Dandy and Vulcan but in future adults will recall growing up with Cinebook albums!

Dr Terror's House of Horrors | Full Movie | Full HD Movies For Free | Fl...

Cinebook Ltd: Yakari 22 - Yakari and the Pronghorns

 


Authors: Derib & Job

Age: 6 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages
Publication: September 2024

£8.99 incl VAT

 ISBN: 9781800441446

On a lovely spring day, Yakari happens upon Quiet Rock, the tribe’s elder, busy admiring a Pronghorn – an American antelope. The young Sioux then spends a few days with the Pronghorn’s family, learning about their everyday life. With the help of several of his animal friends, he even helps them through several incidents –  from coyote attacks to prairie fires – and learns a valuable lesson about humility while he’s at it. 

Hmm. Not sure that I approve of the coyote as it is portrayed in this book as it does give youngsters the impression that coyotes are just plain nasty  -hey, I am a mammalogist specialising in canids and this is my blog so 😝

The idea of a young indigenous boy who can go out and peacefully walk amongst the wildlife and learn all about them works well even though in the past the story has gotten quite serious.  Of course this series is meant for youngsters so it is colourful and entertaining while educating to a degree and I know the books also appeal to older readers because, lets face it, this is pure escapism from a rather grim world.

Despite the coyote business (which may be blown out of context by me) I would still suggest this title for younger readers and with reading and comics these days you need to get them young and why not a comic album?

Wednesday, 23 October 2024

Cinebook Ltd: Thorgal 25 - The Blade-Ship

 

 


Authors: Rosinski & Sente

Age: 15 years and up
Size: 18.4 x 25.7 cm
Number of pages: 48 colour pages

£7.99 incl VAT

ISBN: 9781849184984
Publication: August 2024

While Jolan and his companions finally learn from Manthor what their grand destiny will be, Thorgal is still on the trail of the men who kidnapped his other son, Aniel. Along with jolly mercenary Petrov, he sails down a frozen river aboard a Blade Ship – a trade vessel equipped with heavy metal blades to break the ice. The journey is fraught with dangers – storms, raiders, spies, wild animals … and a group of shipwrecked Vikings looking for a mysterious chest …

Once you have started on Thorgal you are in it for the long run. Well, we have seen Thorgal in Mesoamerica and in a hot air balloon and a lot far weirder places and this time there is a race across the barren ice plains, pursuing tigers, Vikings up to all sorts of nasty things and mainly being very bad to villagers -it goes all Orca Killer Whale (if you ever saw that movie).

The pacing and story is excellent and the art top notch. Will he live long enough to find his son? He better had since the final words uttered in this volume are: "They've condemned your son to death, you know" and the promise of the final confrontation with the Red Mages is enough to get excited about!

Some 25 volumes in and I'm hoping I get to see the conclusion of the Thorgal saga!

Sunday, 20 October 2024

Cinebook Ltd: Emilie's Inheritance vol. 1 - The Hatcliff Estate

 


Author: Florence Magnin
Age: 8 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages

£8.99 incl VAT

ISBN: 9781800441361
Publication: June 2024

Ireland, 1801. Two men are walking across the moors when they chance upon an unearthly mausoleum lost in the mists. 122 years later, Emilie Bertin, a cabaret singer going through difficult times, is contacted by a lawyer, who explains that she is the only heir to a man who vanished in mysterious circumstances, and now stands to inherit a castle and estate … in Ireland. Thus begins for Emilie the most fantastic of journeys. 

This book starts off with a  hint at the magical with two adventurer types or, more accurately, one treasure hunting "adventurer" and one moaner who you have to ask "Why his he involved in this?"  Our heroine, Emilie learns about an inheritance from a lawyer who appears to be doing what a rather dubious character tells him to -including leaving Paris.

This is a tale of adventure but with a fairy tale of sorts interwoven.  Is it any good as a story? Yes.  Is  the characterisation good? Yes.  The art is just lovely and the colour work is equally as good and not a surprise since Magnin writes, draws and colours this work. 

My interest has not been so high to see a next volume because this is a series that could turn out to be a masterpiece or a let down., If things continue in volume 2 as they do in this volume my guess is that it will be a series to be recommended.  I know eagerly await that second book!

Thursday, 17 October 2024

Cinebook Ltd: XIII Mystery 3- Little Jones and XIII Mystery 4- Colonel Amos

 




Authors: Yann & Eric Henninot
Age: 15 years and up
Size: 18.4 x 25.7 cm
Number of pages: 56 colour pages

£9.99 incl VAT

 ISBN: 9781849182744
Publication: June 2024

Chicago, the Seventies. Life is tough when you’re an orphan in the streets – and even more so if you’re black. Little Jones, 10, doesn’t even know her real name. All she has is a brother who flirts with the Black Panthers, a streak of cunning and determination a mile wide, and a dream: that of some day enlisting into the Army. A chance encounter with war hero Major Whittaker will change her life forever...



Authors: Alcante & François Boucq
Age: 15 years and up
Size: 18.4 x 25.7 cm
Number of pages: 56 colour pages

£9.99 incl VAT

ISBN: 9781849182768
Publication: June 2024

Colonel Amos is the head of the FBI’s Counterterrorism Division. His current investigation sends him on the trail of an agent of Mossad – Israeli intelligence. The ensuing operation – a joint FBI/CIA effort – will prove to be a difficult one. Not only because of the agent’s skill, or because the colonel and his CIA counterpart Giordino don’t get along, but also because before coming to the USA, Samuel Amos was a founding member of Mossad...

I reviewed volume 1 -Mongoose- here and in September 2014

https://hoopercomicart.blogspot.com/2014/09/cinebook-9th-art-xiii-mystery-i-mongoose.html

and volume 2 )Irina- here in January 2022

https://hoopercomicart.blogspot.com/2022/01/cinebook-ltd-xiii-mystery-irina.html

With those dates you can see where I am going. I got these books and had no idea what they were about and yet they were the third and fourth volumes in a five volume series (I really do hope to live long enough to see volume five but at my age it's a case of "fingers crossed").

I stand by everything I have written about the original XIII series as it had suspense, mystery, gripping action and when I read through it a couple weeks back my opinion had not changed.  Everything since that time has seemed to be cashing in on XIII.

Do not get me wrong; the writing is good and the art is of the quality we expect from European comic albums but they are just not gripping me.  Why was Clint Eastwood's character "The Man With No Name" so successful? Because we had the story and action but he was still a mystery to us. We had XIIIs story and now it is almost like making a movie to tell the store owner's life story or the guy running the stables when everything we needed rested on the mystery of Clint's character.

What happened in Mongoose or Irina and were they parts of a continuing saga picked up by Little Jones and Colonel Amos?  I have absolutely no idea since part one was eleven years ago -I keep double checking that date because I still can't believe it was that long ago. And the other volume was two years ago.  Nine years between volume 1 and 2 is not good and  two years between 2 and 3 and 4...not good. I do not have enough time to read all the past volumes in this and other series to catch up.

It does not matter how good a series or story is waiting between issues can kill a book. Look at when Fantagraphics decided that Love and Rockets (my favourite Indie book) was going to go yearly. I think I got as far as remembering up to volume 3 and then comic shops said it was not worth ordering in. Readers lost interest.

I do not know what goes on at Cinebook but I have been the company's biggest supporter since it started publishing but to open a package with 10 or so books and find that there were years between volumes kills the excitement and fun. There are other books I know that are part of a series but only two volumes have appeared a good while ago.  Hopefully, Cinebook can get caught up at some point.

At least the reader can buy volumes 1-4 and know that it leaves one issue to get and then the series is complete.  

Sunday, 13 October 2024

2024 (another ) Avengers Annual 1

 

Let's be brief.

No. Thanos does NOT fight alongside the Avengers.  

The only Avengers in this book are Thor and Captain Marvel who are literally there for filling and making this an 'Avengers' title.  

The rest of the Avengers are all stuck on their "easier to get to world emergencies space city" because transporters are out.  Yes, the only Avengers in the entire Marvel Universe (in which every hero or anti hero is a standby or active roster Avengers) are stuck in space until they tell Thor in the last panel "We can beam down now". It is that lame.

This is, as it becomes very obvious and at warp speed, an Infinity Watch Preview. WTF are the Infinity Watch? I could not give a toss. Every single member of, no doubt, "Marvels latest sensation", were so badly characterised and acting like petty teenagers with dialogue that at times made the 1960s MLJ Mighty Crusaders comics look like Shakespeare writing at his best (no, William Shakespeare did not write for MLJ -Archie Comics- in the 1960s). 

 All I could think was that these were badly written throw-away characters for the plot and when they were being killed off I uttered the words "best move to date" but, of course, they all came back in the end.

I did use the word "plot" back there.  That made it seem that someone had sat down and written a good story.  They had not. No characterisation, no real action that was worthwhile and no Avengers (well, just two).  I even started asking myself whether the writer had ever seen or read anything with Thanos in before.

In recent years Avengers annuals have mostly all been number 1s (well of course they have because Marvel assumes that everyone buying comics is so dumb they cannot count beyond 1).

I have all the Avengers Silver and Bronze ages annuals as well as King Size and do you know what is in them?   Avengers (it sort of went with the title). Also, characterisation, plot and good dialogue. And they had fun and action in them.  Okay, modern writers (as we shall call them) get their literary education through TV, You Tube and movies. They obviously do not read books or anything that teaches them the basics.  The old writers got inspiration from movies but their major influences were literature. They read the classics, they read mythology and they were highly literate and good at what they did. Kirby was massively influenced by mythology and as he pointed out several times, Lee was a classics guy and the Thing joking about the words Reed Richards used was basically an in-joke (Lee being Richards and Kirby being Ben Grimm).

What we have with the 2024 Avengers annual is something with no merit or value. And this is what Marvel has done to its once proud flag ship title (with Fantastic Four fairing a little better).

The actual monthly Avengers title goes from fairly readable to piss poor and ....Marvel doesn't care. They are all getting pay cheques so can sit back and be lazy. This current book, as an annual, would never have even gotten through as a rough draft in the good days of creative Marvel.

Those days are gone.

Cinebook Ltd: Amazonia 1 - Episode 1 and 2

 


Authors: LEO & Rodolphe; illustrated by Bertrand Marchal
Age: 15 years and up
Size: 18.4 x 25.7 cm
Number of pages: 48 colour pages
Publication: April 2024

£7.99 inc VAT

 ISBN: 9781800441316
 

Brazil, 1949. A photographer crawls into a mission deep in the Amazonian rainforest and dies. On one of his films is an extraordinary shot: a man with skin white as snow and an elongated cranium. Deformed human … or extra-terrestrial being? Kathy Austin, having reluctantly become the specialist in such situations, is immediately sent by the crown to investigate. But the British aren’t the only ones with an interest in the bizarre creature …




Authors: LEO & Rodolphe; illustrated by Bertrand Marchal
Age: 15 years and up
Size: 18.4 x 25.7 cm
Number of pages: 48 colour pages
Publication: August 2024
 £7.99 incl VAT

ISBN: 9781800441408

On the trail of the bizarre, potentially alien creature photographed in Brazil, Kathy Austin has reached the isolated mission where the photographer died. Unfortunately, the road forward leads into the heart of the rainforest and the territory of extremely hostile natives. Continuing will be difficult and dangerous, especially as she appears to be followed by a number of people including two suspicious Germans … and the Brazilian Navy! 


It may seem that I am late on these reviews but the books were listed and sold out on some sites by the time my review copies arrived. So, I am still reviewing as received.

The art in these two volumes is excellent and exactly what one comes to expect in these series and Marchal does an excellent job and Sebastien Bouet on colours just adds even more.  Leo and Rodolphe are as good as ever on script, dialogue and overall story telling.  The tall guy with the big head...Alien or something else?  We are kept guessing.

I do have a problem with this type of series, though.  Volumes 1 and 2 arrived together so the story draws you in but...how long before volume 3?  We know there are 5 volumes in this story but the important thing is delays between books as that can kill the buzz you get and in the past long delays have meant that my aged brain has to be back and read previous volumes to remember why someone wants to kill someone else.

And as I have mentioned volumes did you know Kathy Austin, the heroine of this series, and a British secret agent, has tackled the weird before?  Oh yes; in the 5 volume Kenya and 5 volume Namibia series.

It's good old fashioned adventure combined with spies and science fiction -the type of story that the late John Creasey used to write in his Z5 Dr Palfrey series from the 1940s on (he also created The Baron, Gideon of the Yard (developed into TV series) and many others). I would recommend Kenya and Namibia and as Amazonia are the continuing adventures of Austin...yeah, buy them and see how good comics are made.

Sunday, 29 September 2024

HEXAGON COMICS The Partisans #3: War’s End

 Hexagon Comics USA now offers a growing catalog of translations of selected titles from the library of a 70-year-old French comics publisher.

You can order our books from our website at www.hexagoncomics.com or through amazon.

Retailers can purchase the books directly from us at a 40% discount from our website or from distributor Ingram. Contact us at jm@hexagoncomics.com

THE PARTISANS : WAR'S END

7x10 squarebound comic,

 48 pages 

b&w
ISBN-13: 978-1-64932-333-0. 

US$10.95

Cover: Luciano Bernasconi


  • THE FIRST DAY 

Story: J.-M. Lofficier; Art: Mario Guevara 

  • THE LAST DAY 

Story: Thierry Mornet; Dialogues: J.-M. Lofficier; Art: Luciano Bernasconi '


Spring 1945. The end of the Second World War is near... Paris has just been liberated... The Germans are retreating everywhere... The Americans are coming... However, there is still time for some desperate missions, such as stopping a last train of Jewish children from being taken by the Nazis to the death camps! The Guardian of the Republic and Marianne, Baroud and Princess Sadko of the Partisans, will each face incredible obstacles in order to halt this abominable project. And their success will only come at the price of the blood shed for some of them... But while one war is about to end, another, perhaps even more violent and merciless one, is already beginning...


 
These two sagas from the last days of the Second World War have been created by Thierry Mornet & Luciano Bernasconi, and Jean-Marc Lofficier & Mario Guevara.

Monday, 26 August 2024

"The Wonderful and Frightening World of J.Webster-Sharp" Review by Paul A. Brown

 



"The Scrapbook of Life & Death" by J.Webster-Sharp
Published by Avery Hill
Paperback A4 
88 pages
 Black & White 
£14.99

You know, I'm the last person qualified to review comic books. If I'm honest I'm rarely convinced by the validity of the Graphic Novel as a form deserving of its' hype or status. I personally feel that despite the positive nature of a wider and more diverse array of artists and subject matters, it's become an orthodoxy as tedious and damaging as the Superhero genre was to the wider perception of comics, and rarely does it's content go beyond an appeasement of a certain need for the acceptance of a largely wider middle-class readership ,and the seeming  constraints both directly and indirectly imposed on publishing regards market trends, content, taste and lately political ideology. Ever so now and again though, something comes along to tell me I'm a great big know-nothing idiot ( for which I'm always thankful) ,and which goes some way to restoring my faith that there are still people out there willing to make brave, courageous and challenging art that refuses to tow the line in conforming to whatever the current criteria of how things should be or what should be written and drawn, J.Webster-Sharp's first book, "The Scrapbook of Life & Death" does just that.

The stark, unnerving cover alone should tell you you're in for an uneasy ride; a garish yet beautifully rendered disembodied head with smaller head appendages extending from it on stalks in a void of black, and hand-lettered titles that create the impression of something off-kilter and out of time, a hand-made artefact, an illicit secret discovery best left unopened. The entire contents do nothing but add to the disquiet and unease, as well as a continual tension that what you're engaging with isn't remotely comfortable, possibly bordering on the distasteful and pornographic; the subject matter and themes permeated by sex, horror, death and an underlying perversity. It's interesting in her own introduction to the book that Webster-Sharp states that the latter half of the book "evolves out of a deteriorating sense of self and a collapsing of a will to survive". I want to return to that later, but you could be forgiven for feeling something similar as a reader, under the weight and nature of the artistic language the artist employs in relation to the subject.

Webster-Sharp's starting point as subject are the scrapbooks of one George Cecil Ives ( 1867-1950 ) poet, writer, penal reformer and homosexual law reform campaigner, who in the course of his lifetime amassed a collection of interesting and unusual newspaper clippings and articles.Splitting the book into two halves, Webster-Sharp includes a description of those items and stories she has used and been inspired by to illustrate, as a hand-lettered appendix to the visuals, reinforcing the sense of her Graphic Novel being an almost parallel visual version existing in a different time. The pieces of Ives' archives she chooses to illustrate are indeed interesting and unusual, as well as horrific.absurd and perverse, the kind of stuff the likes of the News of the World or National Enquirer would have had a field day with, such as the crimes of child murderer Albert Fish, a Dentist who took out womens' teeth to "satisfy his cravings",a woman who fed her son like a bird, and a man who had thousands of pictures of pigs. Taking these snippets, Webster-Sharp weaves these pieces and others into a patchwork of comic pages and strips that illuminate an overall sense of grotesque visual surrealism.

And what pictures, panels and pages they are. From my first discovery of her work via her Instagram page, I have been utterly blown away by the audacity of Webster-Sharp's art. There aren't many artists you can say are unique, but right now I think she is. There hasn't been anyone in comics since Eleanor Davis who has made me so excited to see their next drawing, their next page. Webster-Sharp has. And oddly, hers is not a drawing style I would consider one I either like or would usually find interesting. So what is it I find that makes her work special ?

Well, it's about drawing that looks like it's been drawn by a human being, that doesn't look like every other tedious, bland, graphically and artistically reductive, spineless, anodyne, visually dull, badly observed and unexciting bore-draw that seems to populate most graphic novels and comics these days. Webster-Sharp's art here does everything comic art used to do; it has detail, it has passion and courage and guts, and wit and intelligence. It's daring and takes risk in both subject matter and execution.It also makes you unnerved, uncomfortable, intrigued, repulsed, excited. It's singular and unique, it doesn't really look like anyone else, even though there are other artists that use a similar style ( think Drew Friedman). It's also the way she juxtaposes the vocabulary of her visuals, a collage of images and objects that create a tension by their proximity  and opposition to each other, whether it's human-animal body hybrids, butchery, genitalia, dolls, gasmasks, fetish gear and assorted meat products, it's a disturbing visual lexicon that is likely to give you nightmares, or a strange erotic frisson, if so inclined. The devil is in the meticulous detail of the drawing, a pointillist stippling style that I would suggest was fashionable in the Sixties and Seventies, but has since gone way out of vogue, which also lends it an eerie, out of synch feel. For me there's an odd nostalgia for such drawing and the genuine insanity of it's time-consuming nature, but when it works, there's also a certain sublime quality to the imagery, and in some of these individual panels and pages, Webster-Sharp executes some quite brilliant and dare I say it, strangely beautiful artwork, even if the content of those drawings might make some reach for the sick-bag and the censored sticker. If I was to make any artistic comparisons, my immediate thoughts were to artists of the earlier decades I hinted at, but not comic artists. Her sense of collage and juxtaposition of content, allied to a threatening and frightening worldview, reminds me of the art of Crass' Gee Vaucher and the collages of Linder Sterling, also, and perhaps not so obviously, the artwork of 1970's/80's British illustrator Stewart MacKinnon, and maybe also the surrealist Leonora Carrington. I doubt any were an influence or inspiration, but I find echoes of a similar feel in her work. There are also echoes of David Lynch and Charles Burns somewhere too maybe. If I haven't described individual pages here, it's because I think it's a book that must be looked at, and I don't want to spoil it -you should all go out and find it and look at it,and keep looking, take it all in. All its' beauty and horror and tension.

It's this tension, as well as the actual pages and imagery itself, that perhaps account for Webster-Sharp's admission of that "deterioration of a sense of self " mentioned earlier. The images of the final pages and section of the book seem to move away from a certain formal cohesion of the earlier short narratives depicting the Ives archival material, to imagery and pages that suggest a more personal narrative direction taking hold, resulting in singular illustrations that mark a visual representation of the "physical and psychic abandonment "she suggests occured in making the work. By the end, the drawings have gone from full-page, full-blown horror to  become smaller, encapsulating the merest fragments of strange small microscopic crying faced worms or larvae, before completely disappearing to blank, black pages. Whether intentional or not, I feel it works as a conclusion of sorts, the effect of inhabiting someone else's collection of disturbed psychic debris, the result of a kind of possession, leaving us all in the dark.

This is a rather wonderfully frightening book, in all the right ways. Credit also to Avery Hill for having the guts and courage to publish a book like this. J.Webster-sharp is that rare thing. An artist to excite and disturb, an artist with courage, intelligence and wit, and no small amount of skill and visual flair. I can't wait to see what she does next. Fondant anyone ?

Paul Ashley Brown

Cinebook Ltd - Black Mary 1 - The Departed / Black Mary 2 - Passage to the Hereafter

  Authors:  Rodolphe; illustrated by Florence Magnin Age:  15 years and up Size:  21.7 x 28.7 cm Number of pages:  48 colour pages £8.99 INC...